Redes del piano en València (1790-1856): circulación, transferencia y confluencias

Abstract

The article examines the establishment of the piano in València during the 19th century and its influence on the city’s musical and cultural life. The instrument replaced traditional ones such as the psaltery and harpsichord, and its consolidation fostered the development of a network of builders, merchants, performers, and teachers. Thus, the piano emerged as a symbol of modernity and social status, becoming integrated not only into prominent performance venues but also into the homes of the bourgeoisie. Moreover, it gained popularity in concerts, cafés, and private soirées, with a significant presence of female pianists.
The study addresses the expansion of the piano market and its repertoire, as well as the establishment of distribution routes. Furthermore, network analysis tools are employed to identify the most influential figures and the communities they formed. The research highlights individuals such as the builder Pedro Gómez, the composer and teacher José Valero, and the educators Pascual Pérez Gascón and Justo Fuster, alongside other significant figures like Antonio Ayala. Their interactions promoted the musical and pianistic development of the city, positioning València within the realm of Romantic music in Spain and Europe.